Jonathan Franzen Oprah Essay

Jonathan Earl Franzen (born August 17, 1959) is an American novelist and essayist. His 2001 novel The Corrections, a sprawling, satirical family drama, drew widespread critical acclaim, earned Franzen a National Book Award, was a Pulitzer Prize for Fiction finalist, earned a James Tait Black Memorial Prize and was shortlisted for the International Dublin Literary Award. His novel Freedom (2010) garnered similar praise and led to an appearance on the cover of Time magazine alongside the headline "Great American Novelist".[3][4]

Franzen writes for The New Yorker magazine. His 1996 Harper's essay Perchance to Dream bemoaned the state of contemporary literature. Oprah Winfrey's book club selection in 2001 of The Corrections led to a much publicized feud with the talk show host. In recent years, Franzen has become recognized for his opinions on everything from social networking services such as Twitter ("the ultimate irresponsible medium")[5] and the proliferation of e-books ("just not permanent enough")[6] to the disintegration of Europe ("The people making the decisions in Europe are bankers. The technicians of finance are making the decisions there. It has very little to do with democracy or the will of the people") and the self-destruction of America ("almost a rogue state").[7]

Early life and education[edit]

Franzen was born in Western Springs, Illinois,[8] the son of Irene (née Super) and Earl T. Franzen.[9][10] His father, raised in Minnesota, was an immigrant from Sweden of Swedish and Norwegian descent.[11] Franzen grew up in Webster Groves, a suburb of St. Louis, Missouri, and graduated from Swarthmore College with a degree in German in 1981.[12] As part of his undergraduate education, he studied abroad in Germany during the 1979-80 academic year with Wayne State University's Junior Year in Munich program. Here he met Michael A. Martone, on whom he would later base the character Walter Berglund in Freedom.[13] He also studied on a Fulbright Scholarship at Freie Universität Berlin in Berlin in 1981-82.[14] From these experiences, he speaks fluent German. Upon graduation Franzen got married and moved with his wife to Boston to pursue a career as a novelist. When this plan fell through, they moved to New York in 1987, where Franzen managed to sell his first novel, The Twenty-Seventh City.[15]

Early novels[edit]

The Twenty-Seventh City, published in 1988, is set in Franzen's hometown, St. Louis, and deals with the city's fall from grace, St. Louis having been the "fourth city" in the 1870s. This sprawling novel was warmly received and established Franzen as an author to watch.[16] In a conversation with novelist Donald Antrim for Bomb Magazine, Franzen described The Twenty-Seventh City as "a conversation with the literary figures of my parents' generation[,] the great sixties and seventies Postmoderns.",[17] adding in a later interview "I was a skinny, scared kid trying to write a big novel. The mask I donned was that of a rhetorically airtight, extremely smart, extremely knowledgeable middle-aged writer."[18]

Strong Motion (1992) focuses mainly on a dysfunctional family, the Hollands, and uses seismic events on the American East Coast as a metaphor for the quakes that occur in family life (as Franzen put it, "I imagined static lives being disrupted from without—literally shaken. I imagined violent scenes that would strip away the veneer and get people shouting angry moral truths at each other."[18]). A 'systems novel', the key 'systems' of Strong Motion according to Franzen are "[...] the systems of science and religion—two violently opposing systems of making sense in the world."[18] The novel was not a financial success at the time of its publication. Franzen subsequently defended the novel in his 2010 Paris Review interview, remarking "I think they [critics and readers] may be overlooking Strong Motion a little bit."[18]

The Corrections[edit]

Main article: The Corrections

Franzen's The Corrections, a novel of social criticism, garnered considerable critical acclaim in the United States, winning both the 2001 National Book Award for Fiction[19] and the 2002 James Tait Black Memorial Prize for fiction.[20] The novel was also a finalist for the 2001 National Book Critics Circle Award for Fiction,[20] the 2002 PEN/Faulkner Award,[21] and the 2002 Pulitzer Prize for Fiction (won by Richard Russo for Empire Falls).[22]

In September 2001, The Corrections was selected for Oprah Winfrey's book club. Franzen initially participated in the selection, sitting down for a lengthy interview with Oprah and appearing in B-roll footage in his hometown of St. Louis (described in an essay in How To Be Alone titled "Meet Me In St. Louis"). In October 2001, however, The Oregonian printed an article in which Franzen expressed unease with the selection. In an interview on National Public Radio's Fresh Air, he expressed his worry that the Oprah logo on the cover dissuaded men from reading the book:

So much of reading is sustained in this country, I think, by the fact that women read while men are off golfing or watching football on TV or playing with their flight simulator or whatever. I worry — I'm sorry that it's, uh — I had some hope of actually reaching a male audience and I've heard more than one reader in signing lines now at bookstores say "If I hadn't heard you, I would have been put off by the fact that it is an Oprah pick. I figure those books are for women. I would never touch it." Those are male readers speaking. I see this as my book, my creation.[23]

Soon afterward, Franzen's invitation to appear on Oprah's show was rescinded. Winfrey announced, "Jonathan Franzen will not be on the Oprah Winfrey show because he is seemingly uncomfortable and conflicted about being chosen as a book club selection. It is never my intention to make anyone uncomfortable or cause anyone conflict. We have decided to skip the dinner and we're moving on to the next book."[24][25]

These events gained Franzen and his novel widespread media attention. The Corrections soon became one of the decade's best-selling works of literary fiction. At the National Book Award ceremony, Franzen said "I'd also like to thank Oprah Winfrey for her enthusiasm and advocacy on behalf of The Corrections."[26]

Following the success of The Corrections and the publication of The Discomfort Zone and How to Be Alone, Franzen began work on his next novel. In the interim, he published two short stories in The New Yorker: "Breakup Stories", published November 8, 2004, concerned the disintegration of four relationships; and "Two's Company", published May 23, 2005, concerned a couple who write for TV, then split up.[27]

In 2011, it was announced that Franzen would write a multi-part television adaptation of The Corrections in collaboration with The Squid and The Whale director Noah Baumbach for HBO.[28][29] HBO has since passed on Corrections, citing "difficulty" in "adapting the book's challenging narrative, which moves through time and cuts forwards and back": that would be "difficult to sustain in a series and challenging for viewers to follow, hampering the potential show's accessibility."[30]


Main article: Freedom (Franzen novel)

On June 8, 2009, Franzen published an extract from Freedom, his novel in progress, in The New Yorker. The extract, titled "Good Neighbors", concerned the trials and tribulations of a couple in St. Paul, Minnesota. On May 31, 2010, a second extract — titled "Agreeable" — was published, also in The New Yorker.[31]

On October 16, 2009, Franzen made an appearance alongside David Bezmozgis at the New Yorker Festival at the Cedar Lake Theatre, reading a portion of his forthcoming novel.[32][33] Sam Allard, writing for North By Northwestern about the event, said that the "…material from his new (reportedly massive) novel" was "as buoyant and compelling as ever" and "marked by his familiar undercurrent of tragedy". Franzen read "an extended clip from the second chapter."[33]

On September 9, 2010, Franzen appeared on Fresh Air to discuss Freedom in the wake of its release. Franzen has drawn what he describes as a "feminist critique" for the attention that male authors receive over female authors—a critique he supports. Franzen also discussed his friendship with David Foster Wallace and the impact of Wallace's suicide on his writing process.[34]

Freedom was the subject of a highly unusual "recall" in the United Kingdom starting in early October 2010. An earlier draft of the manuscript, to which Franzen had made over 200 changes, had been published by mistake. The publisher, HarperCollins initiated an exchange program, but thousands of books had been distributed by that time.[35]

While promoting the book, Franzen became the first American author to appear on the cover of Time magazine since Stephen King in 2000. Franzen appeared alongside the headline "Great American Novelist".[4] He discussed the implications of the Time coverage, and the reasoning behind the title of Freedom in an interview in Manchester, England, in October 2010.[36]

On September 17, 2010, Oprah Winfrey announced that Jonathan Franzen's Freedom would be an Oprah book club selection, the first of the last season of The Oprah Winfrey Show.[37] On December 6, 2010, he appeared on The Oprah Winfrey Show to promote Freedom where they discussed that book and the controversy over his reservations about her picking The Corrections and what that would entail.[38]

Franzen has stated the writing of Freedom was deeply impacted by the death of his close friend and fellow novelist David Foster Wallace.[39]


Main article: Purity (novel)

In an interview with Portland Monthly on December 18, 2012, Franzen revealed that he currently had "a four-page, single-spaced proposal" for a fifth novel he was currently working on,[40] although he went on to suggest that while he had a proposal there was no guarantee that what was proposed would make the final cut, saying of similar proposals for previous novels, "I look at the old proposals now, and I see the one part of them that actually got made into a book, and I think, 'How come I couldn't see that? What is all this other stuff?'".[40] Franzen also hinted that the new novel would probably also be long, adding "I've let go of any illusion that I'm a writer of 150-page novels. I need room to let things turn around over time and see them from the whole lives of other characters, not just the single character. For better or worse, one point of view never seems to do it for me."[40] In October 2014, during a discussion at Colgate University, Franzen read a "self-contained first-person narrative" that is part of a novel that he hopes will be out in the summer of 2015.[41]

On November 17, 2014, The New York Times Artsbeat Blog reported that the novel, titled Purity, would be out in September.[42] Jonathan Galassi, president and publisher of Farrar, Straus & Giroux, described Purity as a multigenerational American epic that spans decades and continents. The story centers on a young woman named Purity Tyler, or Pip, who doesn't know who her father is and sets out to uncover his identity. The narrative stretches from contemporary America to South America to East Germany before the collapse of the Berlin Wall, and hinges on the mystery of Pip's family history and her relationship with a charismatic hacker and whistleblower.[42]

In 2016, Daily Variety reported that the novel was in the process of being adapted into a 20-hour limited series for Showtime by Todd Field who would share writing duties with Franzen and the playwright Sir David Hare. It would star Daniel Craig as Andreas Wolf and be Executive Produced by Field, Franzen, Craig, Hare & Scott Rudin.[43]

However, in a February 2018 interview with The Times London, Hare said that, given the budget for Field’s adaptation (170 million), he doubted it would ever be made, but added “It was one of the richest and most interesting six weeks of my life, sitting in a room with Todd Field, Jonathan Franzen and Daniel Craig bashing out the story. They’re extremely interesting people.”[44]

Other works[edit]

In 1996, while still working on The Corrections, Franzen published a literary manifesto in Harper's Magazine entitled Perchance to Dream. Referencing manifestos written by Philip Roth and Tom Wolfe, among others, Franzen grappled with the novelist's role in an advanced media culture which seemed to no longer need the novel. In the end, Franzen rejects the goal of writing a great social novel about issues and ideas, in favor of focusing on the internal lives of characters and their emotions. Given the huge success of The Corrections, this essay offers a prescient look into Franzen's goals as both a literary and commercially minded author.[45]

In 2002, Franzen published a critique of the novels of William Gaddis, entitled "Mr. Difficult", in The New Yorker. He begins by recounting how some readers felt The Corrections was spoiled by being too high-brow in parts, and summarizes his own views of reading difficult fiction. He proposes a "Status model", whereby the point of fiction is to be Art, and also a "Contract model", whereby the point of fiction is to be Entertainment, and finds that he subscribes to both models. He praises The Recognitions, admits that he only got halfway through J R, and explains why he does not like the rest of Gaddis's novels.[46]

In 2004 Franzen published "The Discomfort Zone", a personal essay about his childhood and family life in Missouri and his love of Charles M. Schulz's Peanuts, in The New Yorker. Susan Orlean selected it for the subsequent volume of The Best American Essays.[47]

Since The Corrections Franzen has published How to Be Alone (2002), a collection of essays including "Perchance To Dream", and The Discomfort Zone (2006), a memoir. How To Be Alone is essentially an apologia for reading, articulating Franzen's uncomfortable relationship with the place of fiction in contemporary society. It also probes the influence of his childhood and adolescence on his creative life, which is then further explored in The Discomfort Zone.

In September 2007, Franzen's translation of Frank Wedekind's play Spring Awakening (German: Frühlings Erwachen) was published. In his introduction, Franzen describes the Broadway musical version as "insipid" and "overpraised." In an interview with New York magazine, Franzen stated that he had in fact made the translation for Swarthmore College's theater department for $50 in 1986 and that it had sat in a drawer for 20 years since. After the Broadway show stirred up so much interest, Franzen said he was inspired to publish it because "I knew it was a good translation, better than anything else out there."[48]

Franzen published a social commentary on cell phones, sentimentality, and the decline of public space, "I Just Called To Say I Love You" (2008),[49] in the September/October 2008 issue of MIT Technology Review.

In 2012 he published Farther Away, a collection of essays dealing with such topics as his love of birds, his friendship with David Foster Wallace, and his thoughts on technology.[50]

In 2013, Franzen published The Kraus Project. It consists of three major essays by the "Perennially [...] impossible to translate"[51] Austrian "playwright, poet, social commentator and satirical genius"[51]Karl Kraus – ""Heine and the Consequences" a takedown of the beloved German poet, "Nestroy and Posterity" which established that playwright's reputation in Austria to this day, and "Afterword to Heine and the Consequences"".[51] The essays are accompanied by "Franzen's [own] plentiful, trenchant yet off-beat annotations"[51] taking on "... Kraus' mantle-commenting on what Kraus would say (and what Franzen's opinion is) about Macs and PCs; decrying Twitter's claim of credit for the Arab Spring; and unfurling how media conglomerates influence politics in their quest for profits."[51]

Franzen is set to publish his third essays collection, The End of the End of the Earth: Essays, in November 2018 [52] According to advance press for the book, the collection "gathers essays and speeches written mostly in the past five years, [and] Jonathan Franzen returns with renewed vigor to the themes—both human and literary—that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird crisis, these pieces contain all the wit and disabused realism that we’ve come to expect from Franzen. Taken together, these essays trace the progress of a unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day, made more pressing by the current political milieu. The End of the End of the Earth is remarkable, provocative, and necessary."[52]

Philosophy of writing[edit]

During a lecture on autobiography and fiction, Franzen discussed four perennial questions often asked to him by audiences, all of which annoy him or bother him in some way. These are: (1) Who are your influences? (2) What time of day do you work, and what do you write on? (3) I read an interview with an author who says that, at a certain point in writing a novel, the characters "take over" and tell him what to do. Does this happen to you, too? (4) Is your fiction autobiographical? In the lecture he said of the third question in particular "This one always raises my blood pressure" and quoted Nabokov in response.

In February 2010, Franzen (along with writers such as Richard Ford, Zadie Smith, and Anne Enright) was asked by The Guardian to contribute what he believed were ten serious rules to abide by for aspiring writers.[53]

Personal life[edit]

Franzen married Valerie Cornell in 1982; they separated in 1994 and are now divorced.[54] Franzen now lives part of the year on the Upper East Side of New York City and part in Boulder Creek, California.[55] When in California, Franzen lives with his girlfriend, writer Kathy Chetkovich.[56][57]

In 2010, at an event at the Serpentine Pavilion in London celebrating the launch of Freedom, Franzen's glasses were stolen from his face by a gate-crasher, who jokingly attempted to ransom them for $100,000 before being apprehended by police elsewhere in Hyde Park.[58][59][60]

Awards and honors[edit]

Honors and other recognition
  • 1996 Granta's Best Of Young American Novelists
  • 2001 New York Times Best Books of the Year for The Corrections
  • 2001 National Book Critics Circle Award finalist (for The Corrections)
  • 2002 Pulitzer Prize finalist (Fiction)[22]
  • 2002 PEN/Faulkner Award finalist
  • 2003 International Dublin Literary Award (short list)
  • 2009 Richard C. Holbrooke Distinguished Visitor American Academy in Berlin
  • 2010 National Book Critics Circle Award finalist (for Freedom)
  • 2010 New York Times 100 Notable Books of 2010 list (for Freedom)
  • 2010 Los Angeles Times Book Prize (Fiction) finalist (for Freedom)
  • 2012 Elected to the American Academy of Arts and Letters[67]
  • 2013 National Book Critics Circle Award (Criticism) shortlist for The Kraus Project[68][69]
  • 2017 International Dublin Literary Award long-list for Purity
  • In January 2011, The Observer named him as one of "20 activists, filmmakers, writers, politicians and celebrities who will be setting the global environmental agenda in the coming year".[70]
  • On May 21, 2011, Franzen delivered the commencement address at Kenyon College to the class of 2011.[71]
  • The first international academic symposium solely dedicated to Franzen's work took place at Glasgow University, UK, 22 March 2013.[72] Another one, "Jonathan Franzen: Identity and Crisis of the American Novel", was scheduled to take place at the University of Córdoba, Spain, 18–19 April 2013, but later has been cancelled due to the lack of submitted papers.[73]



Short stories and novel excerpts[edit]

  • "Somewhere North of Wilmington". Blind Spot 8. (1996):116.
  • "How He Came to Be Nowhere." Granta 54 (1996):111-23
  • "Chez Lambert." The Paris Review 139 (1996): 29-41
  • "At the Party for the Artists with No Last Name." Blind Spot 14 (1999): n.pag.
  • "When the new wing broke away from the old mansion." The Guardian. 25 March 2003: n.pag.
  • "Breakup Stories." New Yorker. 6 October. 2004.: 85-99
  • "Two's Company." New Yorker. 23 May 2005.: 78-81
  • "Good Neighbors." New Yorker. 8 June 2009.: n.pag.
  • "Agreeable." New Yorker. 31 May 2010: n. pag.
  • "The Republic of Bad Taste." New Yorker. 8 June 2015: n.pag.



Television appearances[edit]


  1. ^"Time 100 Candidates: Jonathan Franzen". Time Magazine. April 4, 2011. Retrieved 2014-11-19. 
  2. ^Hayden East (November 18, 2014). "New Jonathan Franzen novel Purity features Snowden-like hacker". The Telegraph. Retrieved 2014-11-19. 
  3. ^"Freedom: A Novel". Macmillan. Retrieved 2010-09-10. 
  4. ^ abFehrman, Craig (August 16, 2010). "The Franzen Cover and a Brief History of Time". The Millions. 
  5. ^Flood, Alison (2012-03-07). "Jonathan Franzen: 'Twitter is the ultimate irresponsible medium'". The Guardian. London. 
  6. ^Flood, Alison (2012-01-30). "Jonathan Franzen warns ebooks are corroding values". The Guardian. London. 
  7. ^Manzoor, Sarfraz; Healey, Alex; Tait, Michael (2010-10-25). "Jonathan Franzen: 'America is almost a rogue state'". The Guardian. London. 
  8. ^"Jonathan Franzen Biography – Bio of Jonathan Franzen". Contemporary Literature. 
  9. ^Matassa Flores, Michele (September 15, 2010). "A sweaty-palmed night with Jonathan Franzen". Archived from the original on July 21, 2011. Retrieved 2011-08-20. 
  10. ^"Jonathan Franzen's struggle for 'Freedom'". Star Tribune. 
  11. ^"IRENE EARL FRANZEN". Google Books. 
  12. ^"Jonathan Franzen '81 First Living American Novelist on Time Cover in Decade". Swarthmore. Archived from the original on 2012-08-05. Retrieved 2010-10-02. 
  13. ^Ferguson, Mark. "75 Years of the Junior Year in Munich." Die Unterrichtspraxis/Teaching of German 40.2 (Fall 2007): 124-132; p.132.
  14. ^"Jonathan Franzen". PEN American Center. 
  15. ^Willdorf, Nina. "An author's story: How literary It Boy Jonathan Franzen spun himself into a tornado of controversy". The Phoenix. 
  16. ^Laura Shapiro, "Terra Not So Firma," Newsweek, January 20, 1992. (Shapiro: "A huge and masterly drama of St. Louis under siege, gripping and surreal and overwhelmingly convincing." Shapiro also noted The Twenty-Seventh City's "brilliance," and the author's "prodigious gifts," concluding, "The news that he is at work on a third [novel] is welcome indeed."]
  17. ^Antrim, Donald. "Jonathan Franzen". Bomb Magazine. Fall 2001. Retrieved 2011-07-27.
  18. ^ abcdStephen J. Burn (Winter 2010). "Jonathan Franzen, The Art of Fiction No. 207". The Paris Review. 
  19. ^ ab"National Book Awards – 2001". National Book Foundation. Retrieved 2012-03-27.(With acceptance speech by Franzen and essays by Mary Jo Bang, David Ulin, and Lee Taylor Gaffigan from the Awards 60-year anniversary blog.)
  20. ^ ab"Book Prize Information – The Corrections". Retrieved 2010-03-15. 
  21. ^"PEN / Faulkner Foundation Award For Fiction Previous". Archived from the original on 2010-03-02. Retrieved 2010-03-15. 
  22. ^ ab"Fiction". Past winners & finalists by category. The Pulitzer Prizes. Retrieved 2012-03-27.
  23. ^Gross, Terry (October 15, 2001). "Novelist Jonathan Franzen". Fresh Air. NPR. 
  24. ^"You go, girl… and she went". The Age. 2006-01-21. Retrieved 2007-04-04. 
  25. ^"Oprah's Book Club user communication, October 22, 2001". 
  26. ^"National Book Awards Acceptance Speeches: Jonathan Franzen". National Book Foundation. 2001. Retrieved 2007-04-04. 
  27. ^"jonathan franzen: Contributors". The New Yorker. Retrieved 2010-03-15. 
  28. ^O'Neal, Sean (September 6, 2011). "Noah Baumbach developing Jonathan Franzen's The Corrections as HBO series". A. V. Club. 
  29. ^Rose, Lacey (2011-09-02). "Noah Baumbach to Take on Jonathan Franzen's 'The Corrections' for HBO". The Hollywood Reporter. 
  30. ^Andreeva, Nellie (May 1, 2012). "HBO Drama Pilot 'The Corrections' Not Going Forward". Deadline. 
  31. ^Jonathan Franzen (May 31, 2010), Agreeable, The New Yorker 
  32. ^"Festival". The New Yorker. 2009-01-07. Retrieved 2010-03-15. 
  33. ^ ab"The Franzen Interface". North by Northwestern. Retrieved 2010-03-15. 
  34. ^"Franzen On The Book, The Backlash, His Background". Fresh Air. NPR. 2010-09-09. Retrieved 2010-09-10. 
  35. ^Flood, Alison; Davis, Rowenna (2010-10-01). "Jonathan Franzen's book Freedom suffers UK recall". The Guardian. London. 
  36. ^Haslam, Dave (October 3, 2010). "Onstage interview with celebrated American novelist Jonathan Franzen". Dave Haslam, Author and DJ – Official Site. 
  37. ^Kellogg, Carolyn (September 18, 2010). "Oprah's book club christens Franzen's 'Freedom'". Los Angeles Times. 
  38. ^"Author Jonathan Franzen Appears on 'Oprah' Show". ABC News. 
  39. ^Jonathan Franzen, Jonathan Franzen: 'Modern life has become extremely distracting', The Guardian, 2 October 2015.
  40. ^ abc"Q&A: Jonathan Franzen". Retrieved 3 June 2015. 
  41. ^Rice, Jessica. "Author Jonathan Franzen visits Colgate as part of Living Writers course". Colgate University. Retrieved 3 November 2014. 
  42. ^ abAlter, Alexandra. "New Jonathan Franzen Novel, 'Purity,' Coming in September". Colgate The New York Times Blog. Retrieved 17 November 2014. 
  43. ^Wagmeister, Elizabeth (2016). "Showtime Lands Daniel Craig, Scott Rudin Limited Series 'Purity'". Daily Variety. 
  44. ^Maxwell, Dominic (2018). "David Hare: 'I am sick to death of hearing about the need for strong women as protagonists

Even some defenders of that high-art literary tradition took Mr. Franzen to task. The critic Harold Bloom said he would be ''honored'' to be invited by Ms. Winfrey. ''It does seem a little invidious of him to want to have it both ways, to want the benefits of it and not jeopardize his high aesthetic standing,'' he said.

Ms. Winfrey's selection helped prompt Mr. Franzen's publisher, Farrar, Straus & Giroux, to print an additional 500,000 copies. Authors typically earn more than $3 a copy toward their advance and royalties, so Ms. Winfrey's selection may have been worth more than $1.5 million to Mr. Franzen.

The high-profile spat also adds new stakes to the upcoming National Book Awards, to be announced on Nov. 14. ''The Corrections'' is the most high-profile literary novel of the year and a favorite among the fiction nominees. But just two years ago the National Book Awards honored Ms. Winfrey for her contribution to reading and literature, and an award for Mr. Franzen may now seem inconsistent. What's more, one of Mr. Franzen's qualms about Ms. Winfrey's book club was his publisher's edition of a special seal printed on the cover of his books proclaiming her endorsement, which he saw as an advertisement for her program and a compromise of his independence. Publishers customarily add a similar seal for winners of the National Book Award, as well.

In a telephone interview on Friday, Mr. Franzen said he drew a distinction between the logo for Ms. Winfrey's book club and others that might be added to the jacket of later editions. ''When a book is first published in hardcover in America the tradition is no advertising on the front of the dust jacket -- that is the one moment to have your name and the title of your book on the cover,'' he said. He said he had no problem with any number of alterations -- including logos and pictures of actors on paperbacks editions reissued after the book becomes a movie.

During the interview, Mr. Franzen was full of abashed apologies. ''You can't talk to reporters you don't know the same way you talk to family and friends -- you really only learn by burning your hand on the stove,'' he said. He especially regretted appearing to draw a distinction between high and low literary culture. ''Mistake, mistake, mistake to use the word 'high,' '' Mr. Franzen said. ''Both Oprah and I want the same thing and believe the same thing, that the distinction between high and low is meaningless.''

Backing away from that distinction has been difficult partly because of Mr. Franzen's 1996 essay. He not only disparaged television's baleful influence, but also went on to put down book clubs for ''treating literature like a cruciferous vegetable that could be choked down only with a spoonful of socializing.'' He criticized the idea of judging books by their sales and said his work was ''simply better'' than Michael Crichton's. Last week, however, Mr. Franzen said the essay's conclusion reflected his embrace of the idea that literature could be entertaining.

Still, he added, the notion that he might be selling out by crossing over to the more popular mainstream seemed common with some people outside the book industry. At readings at bookstores, people in his audience saw selection for Ms. Winfrey's book club as a hallmark of the mainstream and even something to avoid. ''I was bombarded with questions, mostly from the anti-Oprah camp,'' Mr. Franzen said.

Other writers and editors, however, were unsympathetic. ''It is so elitist it offends me deeply,'' said Andre Dubus III, himself a former selection of Oprah's book club and a National Book Award winner. ''The assumption that high art is not for the masses, that they won't understand it and they don't deserve it -- I find that reprehensible. Is that a judgment on the audience? Or on the books in whose company his would be?'' Ms. Winfey's selections have included serious writers like Toni Morrison, Ernest J. Gaines, Bernard Schlinck and Joyce Carol Oates.

Robert Gottlieb, the former editor of Knopf and The New Yorker, said, ''They all seem to me to be very solid, honorable books, with feeling and some kind of substance.''

Of course, some novelists categorically refuse to appear on television, including Don DeLillo, one of the writers Mr. Franzen most admires. David Foster Wallace, a friend and contemporary of Mr. Franzen, has done television appearances only reluctantly, once insisting that Mr. Franzen appear by his side for an interview with the television host Charlie Rose.

The novelist Rick Moody, another writer often grouped with Mr. Wallace and Mr. Franzen as acolytes of Mr. DeLillo, said many writers are ambivalent about television. ''Literature wants what television has,'' he said. ''But if you could say what you needed to say in that medium, you wouldn't need to write a book.'' Still, he added, ''it's contradictory to say I would do Charlie Rose but I am uncomfortable with Oprah.''

Mr. Moody said he would happily appear on her show, if asked. ''If you want to sell 700,000 copies,'' he said, ''then you have to play ball with the 700,000-copy vehicles, and then you are in Oprah-land.'' He said it was hypocritical to object to Ms. Winfrey's logo. ''I am published by the AOL Time Warner empire,'' he said. ''If you are being published by one of the big houses, you can't object that you are not commercial in some way: what book doesn't have the publisher's logo on the spine?''

Jonathan Galassi, Mr. Franzen's editor at Farrar, Straus & Giroux, concurred. ''The logo never bothered me, but it is not my book,'' he said. ''The jacket itself is advertising.''

Mr. Galassi said he welcomed Ms. Winfrey's endorsement. He also noted a silver lining to her cancellation of the guest appearance on television. '' 'The Corrections' is selling like crazy,'' and publicity over the spat is helping, he said

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